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Registered on:10/14/2007
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re: For All Mankind S5 Trailer

Posted by HueyLongJr on 2/24/26 at 11:00 am to
Ron Moore gonna politicize shite just like he did on BSG. Too bad.

re: Guy Ritchie Makes Good Movies

Posted by HueyLongJr on 2/24/26 at 2:04 am to
The Gentlemen may be the best crime film since Miami Vice in the mid-00’s. It’s overlooked because it’s funny.
quote:

Flashback scene was lame.


Agree. It was the only time in 5 episodes where the momentum lagged. Especially since it contrasted with what had been building up towards the trial battle.

re: Blow Out - 1981

Posted by HueyLongJr on 2/19/26 at 9:48 am to
quote:

Carrie ‘76
Dressed To Kill ‘80
Blow Out ‘81
Scarface ‘83
Body Double ‘84
Wise Guys ‘86
The Untouchables’87
Casualties Of War ‘89
Bonfires Of The Vanities ‘90


DePalma would oscillate between taking on gun-for-hire projects and then his more creepy obsessive personal projects. There's a very good documentary about him directed by Noah Baumbach. He's not as highly regarded as the 70's auteurs today, but he was definitely an artistic and social peer in that time. The documentary is basically a very long interview with him, and he's very entertaining.
Great 80's movie. Hard to get on streaming for a while, but was finally made available a year or so ago. Darlene Fluegel should have had a bigger career. First leading man role for Peterson. Pankow is definitely miscast.

re: Blow Out - 1981

Posted by HueyLongJr on 2/18/26 at 8:26 am to
Very underrated. My favorite De Palma movie after Body Double. Besides the usual Hitchcock nods, it's also an homage to the 60's Antonioni film Blow Up, in which a photographer in unsure whether he photographed a murder in Swinging 60's London.
Agree with you here. Aside from LaFonda, which is its own thing, the Mexican food here is unremarkable Tex-Mex for the most part (including Superior). There are some good Mexican markets out near Scott. There is also a pretty good tortilliera on Johnston, and Super 1 on Ambassador has a lot of Mexican produce and they sell fresh tortillas as well.

Favorite 'washing' idea?

Posted by HueyLongJr on 2/17/26 at 9:34 am
In honor of black Joan of Arc, what's your best idea for race-washing in a movie. I'm fond of an all-white cast for "Motown: The Early Days".
quote:

For years and and least until the original owners sold it,


I thought the family still owns it? The founder died a while back.

re: WBB is FUN to watch

Posted by HueyLongJr on 2/15/26 at 7:45 pm to
Wait until you discover 7th grade boys soccer.
Being known for excellence in WBB is not far from being known for having a leading program in LBGTQ+ studies.
From a storytelling and casting perspective, they are about equal. Collateral is a pretty major technical achievement. It's mostly set at night and was shot on digital when digital wasn't quite ready for this kind of effort. But they made it work.

Michael Mann Peers Into the Digital Night: The Director and His Team Reflect on the Look of ‘Collateral’ and ‘Miami Vice’
I don’t think it’s necessarily digital vs. film stock. Collateral was shot on digital and looks great. I agree with your general comments.

re: Godfather 3

Posted by HueyLongJr on 2/9/26 at 1:53 pm to
The plot was too convoluted. The Vatican bank stuff was just distracting. There was some bad casting. Hamilton and Sofia Coppola. Also the opera singing son subplot was stupid. Between casting and story, the movie was doomed.
That play is pretty bad. He wasn't really physical at all. Campbell just chest bumps him and introduces him to the QB.
Hard to say because it will depend on how dark the roux, the type of stock (dark, light, or boxed), and your own taste. I just add to taste.
quote:

More Americans losing their livelihood for benefit of 1% is not good news.


Bezos expected to lose hundreds of millions a year so that simps like you can virtue signal the feels. GFY.
The way it's played, it's a terrible sport. I'm not interested in it at all.
quote:

It’s a myth. It’s not “real history”.


Mostly agree with your comments, but I think this comment is misplaced. Helen is the foundation of the story. She is the catalyst for all the action. Her casting should be close to the source material for the story to be true to its own internal logic. No one is fighting for 10 years for this Helen.